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She’s sketched out enough to feel like a full character, but there are empty areas to fill in the blanks – so much so that I wondered through most of the movie if this was a tale about coming out more than anything else (it wasn’t, though I kind of wish it had been). It’s easy to read into the character of Anna in a lot of different ways. The two bond over the feeling of being outsiders and those left behind, but Anna struggles to understand the truth behind Marnie’s appearance, and whether she actually exists at all.
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She forms a friendship with the girl from her dreams, Marnie, who appears to be real – but no one else ever sees her.
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After dreaming about a young blonde girl her own age living there, Anna finds the mansion lit up and fully occupied. Anna begins to spend her evenings at an abandoned mansion, which she’s told has been vacant for some time. “I hate myself,” the protagonist says of herself, after insulting her peers and driving herself into further isolation.Īfter a particularly bad asthma attack, Anna’s foster parents decide she needs to get away from the city air and spend the summer at the seaside with some of their relatives. Though it’s not officially stated, it’s also strongly implied that Anna is depressed. Anna lives in Sapporo with her foster parents she also lives with crippling self-doubt, which releases itself in the form of anxiety-driven asthma attacks. Robinson, this is the account of 12-year-old Anna Sasaki. Trending away from talking animals and fantasy creatures, When Marnie was There focuses on a more delicate story of abandonment and closure. It’s all a fairly quiet, sad ending for a creative giant, but in a way, When Marnie was There feel as appropriate a note as any to end on. When Marnie was There fared poorly in Japan on opening weekend, falling behind Maleficent and Pokémon: The Movie. Following Miyazaki’s departure, the studio announced it would temporarily suspend operations while a new direction was carved out for the team a direction that may focus solely on existing properties and trademarks. And the director of Ghibli’s potential swan song, Hiromasa Yonebayash, has already departed the studio. Falling somewhere between fairy tale and ghost story, When Marnie was There potentially represents the final brick in the wall of Studio Ghibli films, coming on the heels of the retirement of famed director Hayao Miyazaki.